Monday 13 April 2009

bank holiday reviewing

Just back from a weekend away in Cheltenham which is Sue's hometown. It was a bit of a flying visit. say hello to the family and have a mooch around the town sort of deal. Didn't really have the time to do much but did manage to spend far too much money on books that i probably won't have time to read until the summer. My best purchase by far is a couple of volumes of the American Splendor anthologies. If you've never read them (or even seen the film) then i heartily recommend you do so. more info here.

Drove home through the Forest of Dean on Sunday afternoon stopping to visit a Faerie site that Sue wanted to find. A well called 'Virtuous Well'. It turned out to be one of those strange sites that have been adopted by both the god and the crystal bothering brigades equally. It's an old stone well built over a meeting of 4 springs. The trees around it are festooned with ribbons and assorted bits of tat that have been tied on as, i suppose, offerings of some sort. Looked kinda cool whatever the reason.


I was going to make some recordings but three other groups of people turned up whilst we were there and also a tractor was ploughing the next field over. The microphone can be quite imposing and i had no wish to spoil other peoples visit (and the tractor made a horrid noise) so i didn't bother.

Monday and Tuesday of last week was spent in the college studio with a couple of friends. It's been a long time since i strapped on my bass guitar (about 5 years) and i must say i've not missed it. We completed two tracks of krautrocky post-rock. think ganger, tortoise or appliance and you're along the right lines. it's all still in desperate need of mixing which we'll be doing sometime this week i think.

In the meantime I'm trying to get as many reviews written and rewritten as i can before i put the new issue of Wonderful Wooden Reasons online. As i type I'm listening to an excellent album by a Spanish musician called Pilar Baizan who records as Baseline (the albums called 'Estado Liquido'). It's so nice to be reviewing something made by a woman. I don't believe gender (or race for that matter) has any bearing on the music a person makes other than those imposed at a societal level (whether consciously or not) but the music I get sent is pretty much entirely 'man' made so it is good to know there's someone out there working in a non testosterone fuelled way.

peace,
ian

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