Always super quick off the mark, the ever lovely Frans over at Vital Weekly has posted up the first review of the new(ish) album.
He's wrong about it being my first album of shorter tracks, there've been 6 others, but on the whole I think it's a pretty fair assessment.
IAN HOLLOWAY - HANDLE THIS WINO LIKE HE WAS AN ANGEL: BAUBLES & GEWGAWS 2002-2008 (CDR by Quiet World)
As far as I can remember, I think that all of the releases by Ian Holloway had just one track. Usually a drone based piece of around forty minutes. That's about the extend of his work, with minor differences here and there. Then this new release comes a major surprise. Apparently Holloway sometimes creates weird, little pieces on his computer, which he calls 'little diversions, games, distractions and brainstorms' which never fitted on any 'real' release. All of these little pieces were kept over a period of eight years and are now collected here. This is by far not the Holloway we know, no long form drones here, hardly any organ like sound, but something which is probably best defined as plunderphonics. Lifting his sounds from various types of media (CDs, TV, internet: who knows) he cuts and pastes them together in a highly vibrant manner. The CD opens with 'Why M', which seems to be more a click 'n cut piece, but quite soon after orchestral music comes in. Looped, transposed, shifted in true plunderphonic fashion. As said sometimes things are more abstract, in a clicks 'n cut manner, but these tracks are all pretty short. Its a pretty interesting release, but perhaps a bit long for the limited amount of ideas that these pieces have. I think Holloway could have been a bit more selective with these pieces, throw out those with the weakest ideas and over the top effects, like 'Monday's Time', and have with ten or so (instead of fifteen now) a much stronger album. Now its all a bit too sketch like and a bit crowded. I am pretty sure his dedicated fans will be shocked by this release, but I thought it was pretty good as well as funny. (FdW)
interestingly Darren Tate said something similar about it needing pruning but the whole point of releasing ths album was that it was a folder full of tracks that i'd grown to be inordinately fond of and so to leave any out would have felt odd.
It's always nice to get the first review back i'm not overly concerned with them but it is a good feeling when someone says something nice about your tunes.
have spent most of today discussing the impact of punk music on subsequent genres with a bunch of music technology students. there are definitely worse ways to spend a day.